top of page

What to Expect 

Students in my studio use a range of custom designed pieces, games, activities and practise essentials to make every lesson meaningful and engaging. 

​

Younger students benefit from specifically created repertoire that develops technical skill (Arm weight and firm fingertips), pattern awareness (rhythm and pitch patterns) and musical understanding (terms, symbols and sound). 

​

Adults benefit from a wholly pattern based approach in their first year. Focus on chords, rhythmic patterns, aural awareness and practise skills allows adult learners to become more independent and musically capable.

​

All students are provided with lesson notes after their lessons to help them organise their home practise. Depending on age, parents may be expected to help students to plan an effective routine at home. 

Front Cover Advert.png

My book is currently under development. 

The Great Lantern Festival
Rote Piece 

The Great Lantern FestivalJosh Wilkinson
00:00 / 00:46

Shake the Papaya Down
Traditional (Jamaica) 

Shake the Papaya Down Traditional
00:00 / 00:54

Why use backing tracks?

Play alongside custom-made backing tracks designed to help younger students develop their ability to play in time and more importantly not on their own at home. The music Josh creates can be tailored to individual need and allow's students to learn fresh and exciting new pieces.

How Students Develop Musicianship

Explore

Students are encouraged to listen to music that is similar to the pieces they are learning. Learning new music is approached as an exploration — identifying patterns, recognising harmony and developing aural awareness.

Create

Students are encouraged to create their own music by using ideas and patterns they see in the pieces they learn. Students are encouraged to develop their own musical ideas through improvisation and composition.

Outcomes

My students become: 

  • Confident performers

  • Independent learners

  • Musically aware listeners

Learn

Students are encouraged to become independent learners through their knowledge of technique (how the body works), musical language (Symbols and terms) and practise skills (How to practise effectively).​

Musical Pillars

Lessons are planned using these musical pillars: Each pillar helps to develop a specific area of musical understanding.  

Pulse/Rhythm 

Aural Awareness

Reading 

Harmony

Technical Control

Musical Creation

Practise skills​

​

Students progress through my studio by gradually becoming more confident with each of these pillars. My students aim to become capable and well-rounded musicians, capable of more than just passing exams and reading pieces.

What the tuition fee includes: 

​

  • Lesson planning, preparation/supplies and selection of music. (Workbooks, worksheets, listening Lists, pieces, games, videos) 

  • Studio Memberships that I belong to. These provide resources, games and teaching materials for students.

(Vibrant Music Teaching and TopMusic, EPTA) 

  • Membership to my website and access to tutorial videos, worksheets and activities and sheet music.

​

Tuition Fees

​

£22.00     30mins

£30.00    45 mins 

£40.00       1 hour

​

Payment is taken via online bank transfer. 

You can pay per term or weekly.  

(Invoices are sent out at the beginning of each half term) 

​

Fees are reviewed periodically to reflect ongoing professional development and studio resources.

​

Terms and conditions regarding lesson cancellations are provided in the Piano Policy provided after your first lesson. 

​

Term Dates 2025-26

Term 1
September 4th - October 18th (7 weeks) 


Term 2
October 29th - December 19th (7 weeks) 

Term 3 
Jan. 6th - Feb. 14th (6 Weeks)

Term 4 
February 24th - April 4th (6 weeks)

Term 5 
Apr. 23rd - May 23rd (5 weeks) 
 
Term 6
June 2nd - July 22nd (7 Weeks) 



 
In my studio, exams are used as one of many tools to support musical development, rather than the sole focus.

Students in my studio are not pushed into exams.

If a student wishes to enter an exam then I will help them to attain that goal, however, I do believe that a student should only enter an exam if they are already playing at a level that is beyond the scope of the exam they wish to enter. 

Context: Exams are not what music or piano lessons are about; they are a way of assessing a specific collection of skills. 
Whilst higher level music exams do provide UCAS points, this should not be the only motivation to take them. 

My view of Musical Examinations

© 2020 by Josh Wilkinson. Proudly created with Wix.com

bottom of page